A documentary about Yuri Russica Magia Norstein: 2
Yuri was born in the village of Norshteyn Andreyevka, Penza Oblast, during the evacuation of his parents in World War II. He grew up in the suburbs Roshcha Maryina Moscow. After graduating from art school, I found Norshteyn first job in a factory for furniture. Then complete the cycle animation of two years, I found a job in Soyuzmultfilm studio in 1961. Participated in the first film animation, who said "meow"? (1962).
After working as an artist in some of the animation film session, was Norshteyn the opportunity to direct his country. In 1968 he made his debut October 25 on the first day, and sharing credit with the Director Arkady Tyurin. The film uses art from artists Altman 1920s in the Soviet era and Petrov Vodkin.
The next movie, which had a big role in the battle Kerzhenets (1971), a co-production with the Director-Russian animation Norshteyn Ivanov Vano - Ivan under which he was working in 1969 at the times of the year.
During the 1970 Norshteyn continued to work as an animation in many movies (you can find more complete list in the translation), and also provided several. It also provides contract style of animation has become increasingly sophisticated, looking less like flat cutouts, paintings and graphics, smooth animations, advanced pencil.
Norshteyn uses a special technique in his animation, involving multiple planes of glass to give her a three-dimensional animation. Camera is placed at the top looking down on a series of glass planes about a meter deep (one every 25 - 30cm). Can the individual planes of glass move horizontally as well as to and from the camera (to give the effect of character close to or beyond). [1] It does not use computers at work.
Collaborated for many years he was with his wife, Franchesca Yarbusova artist, and director Alexander Zhukovsky.
A scene from The Jacket
Throughout the late 1970s and early 1980s, it was raining Norshteyn animation with state awards and international. Then, at the touch of bitter irony, and was dismissed from Soyuzmultfilm in 1985 to work very slowly on his new film, an adaptation (probably) feature of Gogol's overcoat. In that time he has worked on it with his usual small-three people for two years and ended in ten minutes.
In April 1993, and three other leaders Norshteyn main (Fyodor Khitruk Andre Khryanovsky, and Edward Nazarov) founded the school and the animation studio (Studio Shara) in Russia. Russian Cinema Committee is one of the contributors to the workshop.
Norshteyn wrote an article about the book on the host pinscreen Bendazzi Giannalberto Alexeïeff Alexander Alexeieff entitled - main routes.
In 2005 she published a book called Russian in the snow on the grass with a number of lectures on the art of animation. That same year he was invited as a "guest host" to work on the film Muppets Kawamoto Kihachiro feature, The Book of the Dead.
After working as an artist in some of the animation film session, was Norshteyn the opportunity to direct his country. In 1968 he made his debut October 25 on the first day, and sharing credit with the Director Arkady Tyurin. The film uses art from artists Altman 1920s in the Soviet era and Petrov Vodkin.
The next movie, which had a big role in the battle Kerzhenets (1971), a co-production with the Director-Russian animation Norshteyn Ivanov Vano - Ivan under which he was working in 1969 at the times of the year.
During the 1970 Norshteyn continued to work as an animation in many movies (you can find more complete list in the translation), and also provided several. It also provides contract style of animation has become increasingly sophisticated, looking less like flat cutouts, paintings and graphics, smooth animations, advanced pencil.
Norshteyn uses a special technique in his animation, involving multiple planes of glass to give her a three-dimensional animation. Camera is placed at the top looking down on a series of glass planes about a meter deep (one every 25 - 30cm). Can the individual planes of glass move horizontally as well as to and from the camera (to give the effect of character close to or beyond). [1] It does not use computers at work.
Collaborated for many years he was with his wife, Franchesca Yarbusova artist, and director Alexander Zhukovsky.
A scene from The Jacket
Throughout the late 1970s and early 1980s, it was raining Norshteyn animation with state awards and international. Then, at the touch of bitter irony, and was dismissed from Soyuzmultfilm in 1985 to work very slowly on his new film, an adaptation (probably) feature of Gogol's overcoat. In that time he has worked on it with his usual small-three people for two years and ended in ten minutes.
In April 1993, and three other leaders Norshteyn main (Fyodor Khitruk Andre Khryanovsky, and Edward Nazarov) founded the school and the animation studio (Studio Shara) in Russia. Russian Cinema Committee is one of the contributors to the workshop.
Norshteyn wrote an article about the book on the host pinscreen Bendazzi Giannalberto Alexeïeff Alexander Alexeieff entitled - main routes.
In 2005 she published a book called Russian in the snow on the grass with a number of lectures on the art of animation. That same year he was invited as a "guest host" to work on the film Muppets Kawamoto Kihachiro feature, The Book of the Dead.
A documentary about Yuri Russica Magia Norstein: 2
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